Nothing Artificial
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- Random Thoughts: Return To Sender, 72″ x 48″
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- Random Thoughts: Todos Tenemos un poco, 72″ x 48″
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- Essence of Perfection II, 72″ x 48″
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- Essence of Perfection III, 72″ x 48″
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- Essence of Perfection IV, 72″ x 48″
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- Essence of Perfection X Everlast, 72″ x 48″
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- Essence of Perfection XII, 72″ x 48″
Abstract
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- Not Enough, 72″ x 51″
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- Sin Wash XIV | Envidia, 72″ x 48″
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- Sin Wash XIII | Insatiable, 72″ x 48″
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- Sin Wash XII, 72″ x 48″
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- Sin Wash XI, 40″ x 60″
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- Sin Wash IX, 24″ x 60″
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- Sin Wash VIII, 72″ x 48″
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- Sin Wash VI 60″ x 84″
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- Sin Wash V, 72″ x 48″
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- Sin Wash IV, 36″ x 36″
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- Costa Blue, 48″ x 72″
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- Blue Toot II, 84″ x 60″
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- Your Choice, 60″ x 84″
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- Module, 72″ x 48″
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- Multitud, 72″ x 48″
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- Della Robbia Blue, 22″ x 36″
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- Axis, 72″ x 48″
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- Dream Habitat, 84″ x 60″
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- Skin Game, 72″ x 60″
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- Shogun Express, 72″ x 60″
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- Inner Know, 72″ x 60″
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- Laguna, 36″ x 42″
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- Trophy, 72″ x 48″
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- Patidifusx, 72″ x 48″
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- Muse, 72″ x 48″
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- Return, 72″ x 48″
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- Another Red Chamber, 72″ x 48″
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- Presencial, 48″ x 72″
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- Morning Dance, 40″ x 60″
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- Telepathic, 72″ x 48″
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- Lago, 72″ x 48″
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- Ruckus, 72″ x 48″
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- Bodacious, 72″ x 60″
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- Anyone’s Harlequin, 72″ x 48″
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- Angel’s Rodeo, 72″ x 48″
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- Empty Headed, 72″ x 48″
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- Comparsa, 72″ x 48″
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- Nightfall, 48″ x 72″
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- Glorious Matador, 40″ x 30″
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- Nocturno, 48″
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- Red Room, 48″
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- Orange Accum, 14″ x 11″
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- Under The Table 14″ x 11″
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- Top Tier, 14″ x 11″
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- Dockside, 12″ x 12″
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- Tree Doctor, 12″ x 12″
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- Sin Wash VII, 12″ x 12″
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- Sin Wash XVII | Regardless, 12″ x 12″
Figurative
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- Carretera vieja, 48″ x 48″
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- Carretera vieja, 48″ x 48″
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- La Mia Con, 48″ x 36″
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- Costa Norte, 48″ 48″
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- Carretera Vieja Roja, 48″ x 48″
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- Tropical Wonderland, 51″ x 72″
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- The Floral Nomad, 84″ x 60″
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- Arrebol, 84″ x 60″
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- Flores Del Norte, 40″ x 72″
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- Melonator, 40″ x 60″
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- The Playa | The Beach, 60″ x 84″
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- The Playa Resort, 72″ x 48″
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- Beachside Hustle, 72″ x 48″
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- Mía, Tuya, Nuestra, 72″ x 72″
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- Livin’ La Vida Loza, 84″ x 60″
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- Kiosko Kodachrome, 84″ x 60″
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- La Crème de la Crème, 84″ x 60″
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- Anatomy Of Gray, 60″ x 84″
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- Crypto Monarch, The Cortez Factor, 84″x 60″
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- Top of Mind, 72″ x 48″
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- One Up One Down, 84″ x 60″
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- El Windsor y La Palma Del Pie, 72″ x 48″
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- Toxic Relationship II, 72″ x 48″
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- Pink Fuzz Scurry, 72″ x 48″
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- Gotham Central, 72″ x 48″
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- TrueSelf, 72″ x 48″
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- Seaside Vigil, 72″ x 48″
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- A Hedge Fund Welcome, 72″ x 48″
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- Regimen Hospitality, 72″ x 48″
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- Fantasmas, 60″ x 48″
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- BackTeethSalute, 72″ x 48″
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- Hot Spot, 72″ x 48″
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- Bouquet I, 48″ x 48″
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- Feria, 14″ x 11″
Aftermath Series
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- Habit, 72″ x 60″
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- Lost Boricua, 60″ x 48″
The Tarps
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- The Original Slip, 91″ x 68.5″
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- Truth & Consequence, 91″ x 68″
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- Hello Yellow, 92″ x 56″
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- Smiling faces tell lies, 87″ x 66″
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- AssAssins, 90″ x 66″
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- Emboscada, 66″ x 90″
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- Le patina el coco, 90″ x 66″
About Dávila Rinaldi
Presently living and working in Puerto Rico. In 1979 participated in the GLCA Apprenticeship program in NY with Robert Stackhouse and Louis Liberman. Graduated from DePauw University in 1980 with a Liberal Arts degree. Showed at Galeria Luigi Marrozzini until the mid 90′s, where he presented 4 individual shows that positioned him within the local art scene.
In 1990 was selected for the traveling exhibit: New Art from Puerto Rico organized by the Springfield Art Museum. Painting Professor at Escuela de Artes Plasticas in San Juan for 2 years in the late 90′s. Highlight exhibitions include Yslas: Art in Transit, Hostos Art Gallery, Bronx, New York in 1995. The Art Exchange Show / Anne Plumb Gallery, New York, New York in 1996. Contexto puertorriqueño: del Rococó Colonial al Arte Global, Museo de Arte de Puerto Rico in 2007.
In May 2012 presented a mid-career survey “Only Essence Remains” at the Museo las Americas in Old San Juan; curated by William Stover. Has exhibited locally and internationally on many occasions as well as being included in various major private and public collections. In recent years has participated in various international art fairs including SCOPE and PhotoMiami.
Working as both a painter and sculptor his work has evolved in an ongoing personal battle between abstraction and figuration. The figurative work has focused mostly on commentary concerning social issues. While his abstract work has developed into a complex visual language full of gesture, color, and movement.